王富華， 1956 年生于山东，大學文化，自幼習字帖，鐘情於中國畫藝術，求教於山東藝術學院教授王企華和李苦禪得意弟子崔瑞鹿先生，后又受郭怡孮、趙寧安、蹤岩夫、郭石夫等教授指教，同時以自然為師，一花一木為友，承傳統不斷創新，將西方藝術融入中國畫的傳統筆墨，形成自己的獨特風格.
作品多次參加國內外大展並獲獎，在全國當代書法美術詩詞大獎賽中獲金獎；“魯冠杯”大展中獲金獎；書法作品在第三届“欧阳询獎”全國書法大賽中獲银獎并被授予“德艺双馨書法藝術人才”； 在中日交流展、艺苑杯，草原上升起不落太阳大展中获银奖；作品多次被收錄入《百年經典———中國美術全集》、《偉大豐碑優秀作品集》、《中華民族大團圓萬歲 99' ———喜迎澳門回歸祖國大型書畫冊》、《中華魂———慶祝中華人民共和國成立 52 周年作品集》、《當代藝術名家精英大典》等辭書，《中國書畫報》、《書畫導報》、《國際美術》等報刊刊登作品。
積極參加各種擁軍、送文化下鄉、助殘、慰問白衣天使等大型书画筆會，為西部開發捐獻作品。現為中国美术家协會山東分會員，山東畫院高級畫師， 济南市美协會員 ,中國當代書畫研究會副會長，東方藝術研究院客座教授，國際美聯會員等职 .
Wangfuhua, who was born in 1956 in Jinan and was graduated from university. Now he is a working civil servant. He has learned Chinese National Art faithfully since he was a little boy. He was a pupil of Mr. Cuiruilu, whom the excellent student of professor Wangqihua and Likuchan (Wang and Li are the famous professors of Shandong Art Institute). Later professor Guoyizong, professor Zhaoning'an, professor Zongyanfu, and professor Guoshifu educated him. Meanwhile, he also learned from nature, he makes friends with flowers and grass. He inherited the traditional culture and brought forth new ideas as well, of course, he brought the western art into the Chinese National Art and formed his own character.
Plum is the noble and unsullied symbol of human being. Its stems are as strong as iron and its branches are tall and straight. The white plum is clear and fresh. The red plum is joyful and upward, it can embody the prosperous scenes of the society. He is good at drawing flourishing flowers and red plum in order to embody the progress and prosperous and express his own feelings.
Since he was Yellow River born and bred he loved the Mother river deeply. The tiny sand has formed orderly stories through scouring by water. The improvement of environment has attracted many valuable birds, such as egret, aquatic bird and wild goose etc. Sometimes he was aroused by the feelings and drew “the Vitality of Spring”. In this picture, all kinds of birds are tidying their feather and seeking something under the nosy clouds of dawn, it is full of appeals that a poet should have. Through these pictures, the artist showed his love to the Mother River and his patriotism. “The Vitality of Spring” has won the golden prize on the match, which was hold by the Culture Department and Culture Association of China, and it was exhibited in the History Museum of China.
Spring has many different means in human beings' thoughts, like the symbol of fighting against the winter, the sign of saying good—bye to the old day and welcoming the new era. The artist loves to draw camellia in spring because the camellia can survive after the winter. It can encourage people to fight against the bad environment. Of course, the bamboo, which also struggled with the winter, is still forcefully standing in the snow world. The committee of “China Spirit” exhibited “Welcome to spring” in the Revolutionary Museum.
Among all the Chinese National Pictures, the Birds and Flowers paint is one of them. The range of flower is broad. It can provide great vitalities for the artist. It is said that if you want to make a metaphor of person, you should draw flowers; if you want to make a personification, please draw a bird. He usually makes a description for hawk in order to express its broad heart; he draws cock in order to describe its morals like gentle, martial, brave, benevolent and confident; furthermore, he also draws the clear and fresh flowers, such as lily and lotus flower. In a word, he likes drawing all kinds of natural things that can reflect the great success of opening to the world.
His works has won many prizes in many matches, which are held home or broad. Some of these matches are attractive and famous in the world. His works are also selected by many famous and excellent magazines, which are including “the Newspaper of Chinese National Art”, “the Guide of Art” and “the International Art”.
The artist has also taken part in many social activities. He has taken part in the support activity for the army, and has taken part in the activity of sending culture to the villages. He has also taken part in helping the deformity and comforting the nurses. He devoted a lot to the development of the west. Now he is the high—grade painter of Shandong Paint Institute, vice president of the Contemporary Research Committee on Chinese National Art, the visiting professor of Eastern Art Research Institute, the committee member of International Art Association and committee member of Jinan Art Association.
Add: the Working Office for countryside of Changqing District in Jinan
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